Based on Mary McGarry Morris' best-selling novel! A struggling mother takes in a mysterious stranger. Is she opening her heart to love ... or harboring a criminal? Mary Fermoyle is a divorcee who must work to keep her family from falling into the throes of poverty. Her vulnerability quickly becomes an easy target for smooth-talking con-man Omar Duvall, who seduces Mary and her family with promises of easy money and success. Eventually she uncovers his lies and discovers for the first time her important contributions to her family and community.

In the not-too-distant future, the aging gene has been switched off. To avoid overpopulation, time has become the currency and the way people pay for luxuries and necessities. The rich can live forever, while the rest struggle to negotiate for their immortality. A poor young man who suddenly comes into a fortune of time finds himself on the run from a corrupt police force known as the "time keepers".

Through filming my personal spaces and experiences of the world, I attempt to deal with a period of personal crisis. Although the images relate to personal circumstance indirectly, they are driven by an intense inward reflection, present in the image as an emotional energy. The act of filming reflects my experience of loss and at the same time is an attempt to ground the self in the world once more. The emblem of shadows recurs and points towards the heart of the film's journey - attempting to uncover one's inner darkness, in order to go forwards. The dark passages in the film are a result of dealing with a large amount of “fogged” camera material by bleaching and inverting it. The sequence order of both image and sound are composed entirely by chance.

Through filming my personal spaces and experiences of the world, I attempt to deal with a period of personal crisis. Although the images relate to personal circumstance indirectly, they are driven by an intense inward reflection, present in the image as an emotional energy. The act of filming reflects my experience of loss and at the same time is an attempt to ground the self in the world once more. The emblem of shadows recurs and points towards the heart of the film's journey - attempting to uncover one's inner darkness, in order to go forwards. The dark passages in the film are a result of dealing with a large amount of “fogged” camera material by bleaching and inverting it. The sequence order of both image and sound are composed entirely by chance.

Kensho Aoto reunites with Yoko Sudo, whom he had feelings for in junior high school, for the first time in 35 years.On the second floor window sill of a small apartment.Yoko was leaning against the window and looking up at the moon in the night sky, then Kensho was watching her from outside.Kensho “What were you thinking back then?”Yoko “...Something like a dream. Just about something like a dream.”The two of them are naturally attracted to each other for the first time at the age of 50. They eventually start talking about the future...

Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early twentieth century. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.

Violeta lives with her uncle because her mother died soon after she was born and she never knew her father, she stays with her grandmother from time to time as well. Violeta has a boyfriend named Ángel who gives her a pet dog. While at her grandmother's house, Violeta discovers a time machine that her grandfather built, so she and her friends travel to different time periods. They visit several important events in Mexican history, learning these stories firsthand.

After his wife’s death, Michael loses track of what’s important. That’s why it’s strictly business between Michael and Faith, the attractive nanny he’s hired to take care of his troubled 7-year-old daughter, Lily. When Faith helps Lily deal with her mother’s death, she earns a place in Michael’s heart. But to keep Faith in their lives, Michael has to decide what’s really important to him.

Patty and Eric Purtle visit their Grandfather for Christmas. After accidentally breaking a clock in his workshop, they then find themselves repeating Christmas Eve. together they must fix time and make Christmas enjoyable for their family.

Roy Stitch was the best collector his Uncle Norman had ever seen, but when an unforgivable act is committed, Roy is pushed into the depths of depression, unable to perform on the job. Trapped in a world of brutality and deception, Roy must now choose between loyalty to his family or control of his own destiny.